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With that in mind, I gave Craig Armstrong's "The Incredible Hulk" a few hearings just to make sure I was hearing it correctly (which is why my review is so late after the film's opening). Unlike five years ago, my opinion did not improve. Too often the score falls into standard action cliches from the past 10 years - pounding synth work, vaguely ethnic percussion, and a pedal point for it all to rest upon. Still, as you will read, there is a bright side to the score, especially in its distribution. Hope you enjoy.
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